Sounding by Adam Cairns
- Jul 22
- 1 min read
Eubalaena, the right whale, named by the men
who killed it. Slow swimmer, shallow feeder,
floats when dead. Right.
Against the grey sea, their dark-rimmed
backs signal breath. They embrace face
to face, travel long distances as mother
and calf. At rest, gulls on their pock-marked skin
feed on their flesh.
Inuit whalers find a bowhead
on the Alaskan coast. A hand-thrown
exploding harpoon tip
embedded in its side. Dated 1885.
For years the plankton thin. Fish
that feed on the plankton thin.
The seabirds. The grizzlies that feed
on their washed-up carcasses.
If a whale falls, it feeds the seabed
for decades. In Provincetown,
tourist boats leave the harbour in spring.
For the whales.
You used to be here. Sometimes
you still are. You keep returning to this.
I stayed when I should have gone.
The cow and calf followed for half
a morning. They knew the calf
would surface first. Knew the cow,
the others, would never leave
a dead calf.
At dawn, closer than expected,
a fluke splashes the surface. Gulls
lift, wheel for a moment, salt air.
Out there, dark ocean, the right whale surfaces.
Diatoms flash in their millions in time
with her song.
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Adam Cairns returned to poetry after a long silence and now writes from Herefordshire, between the Malverns and the Wye. He holds an MA in Writing Poetry from the Poetry School and Newcastle University, chairs Ledbury Poetry, and edits the Newport stanza anthologies. His poems have appeared in Poetry Wales, Acumen, The Honest Ulsterman, The Ekphrastic Review and Ink Sweat & Tears, among others.