2 poems by Arabella Currie
- Editor
- Jun 11, 2025
- 1 min read
E A R T H (after Sappho 96)
‘If we lose the insects then everything is going to collapse’
Dave Goulson, ecologist
In fields full of flowers, dew used to fall
from silence. Roses opened in moonlight.
Clouds of chervil and melilot heavy with pollen
bloomed. When the sun set, the moon let its light
drop on cold water, fields full of flowers, stars.
Now you walk through these fields
hearing nothing. You remember: she was like
an astonishing goddess. You remember thinking her songs
were the best. You walk through the fields, empty with longing.
You think: it was my desire that devoured her heart.
homeric hymn
I’ll start with Demeter the grave goddess
and her skinny-ankled daughter who Hades raped
who gruff, omnipotent Zeus parceled up
who left her mother and walked with Ocean’s
slippery daughters to pick flowers:
roses,
crocuses, violets like crazy paving, irises,
hyacinth, daffodils which earth rammed
up: bait for this green girl, god’s will, death’s pleasure -
wet slick petals, fat stem, a hundred heads, smells
to kill for. All water, globe, ground gapes
to catch them. Tongues slide.
She smiled,
moved, picked. But earth shifted. Death rose
on horseback and took her.
_________
Arabella's first collection (The Divers) was published by Hurst Street Press and her writing has appeared in the TES, Icarus, the Oldie, Minerva, the Oxonian Review and Medusa & Her Sisters among other anthologies and magazines.
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Such powerful poems the imagery in “E A R T H (after Sappho 96)” stays with you long after reading. There’s a haunting beauty to the way Arabella Currie writes of loss, nature, and longing. I’d love to curl up somewhere quiet and thoughtful in my Zac Taylor BENGALS Black Crucial Catch Hoodie while reading lines like these warm, cozy, and fully present in the moment.