Sourwood
It is embarrassing—
that I expected to see you,
though our cars are parked
a quarter-century apart
and each is fastened
to its moment.
The view from here,
as far as I remember,
was blue trees for miles;
a trick of isoprene,
of atmosphere, of light.
Memory is story;
story is a choice.
You were never one
to make an effort, so
I don’t know why
I thought I could,
not cross paths exactly, but
try to close some distances?
Nope. Instead of you,
I meet only what
I have forgotten—
how mica sheds its glitter
down the paths,
how it fractures; tiny bits
spangle the riverbed.
And the streams, the falls—
I had forgotten these,
the feral water,
the slow-motion
melt of gneiss.
I want to tell you
that I never lied, and
I have realised this
was not a kindness.
I may have some learnings yet.
The honeybee is at the sourwood,
beside the white bells of its bloom,
dancing to no music.
Goat Willow
I don’t know what this fluff is called,
gathered path-side and all around,
these white, these hairy airborne—
piling up, rising past the rutted track
the tyre stack and rusted wire. I doubt
everything: that this is lovely,
that we are having a nice time,
that this wood is not a ruin,
cratered by tree fall,
all jagged deadwood—
to what end?
face-deep
in catkins,
taking names?
________________
Katherine Meehan lives in Reading. Her work has appeared at The Kenyon
Review, One Hand Clapping, Ink, Sweat &Tears, Brittle Star, Drunken Boat, Wilderness
House Literary Review, and others. She’s currently working towards her first collection.
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